Recognition
Dhāraṇā 9 · The Peacock's Five Circles
Five voids meditated through the shimmering circles of a peacock's tail, until the meditation enters the supreme void — the Heart.
Suddenly, colour. After the austere geometry of breaths and channels, this dhāraṇā hands the practitioner the most gorgeous object in the Indian bestiary — the eyes of a peacock's tail-feathers — and uses it to teach emptiness. That is not a paradox; it is the lesson.
The method
Meditate on śūnya-pañcakam, a fivefold void, by means of maṇḍalas — circles — citra-rūpaiḥ, of variegated form, like the feather's eye: ring within ring, bronze around blue around deepest black-green, each ring dissolving into the next with no findable border. Hold one such circle in attention and let the gaze fall through its rings toward the dark centre, which is not a thing but a depth. Do this five times over, one void for each circle, or all five as one nested field — and then let the attending itself drop through the last centre. The promise is praveśo hṛdaye bhavet: an entering occurs, into the anuttara void — the void beyond which there is nothing higher — which the verse names the Heart.
Which five?
The verse counts five voids and declines to list them. The natural reading, suggested by the image itself, takes them as the five fields of sense — colour, sound, touch, taste, smell — each a shimmering ring around a centre that, searched, is empty; the later teaching tradition generally reads it so. But that gloss is supplied, not stated, and it is fairer to say the verse teaches a structure: multiple beautiful emptinesses, nested, with one unsurpassed emptiness at their heart. The peacock matters because his splendour is precisely patterned absence — the eye of the feather is an image of an eye, with no seeing in it. Meditating on the five voids through beauty rather than through blankness, the practitioner learns the school's characteristic claim: śūnya here is not deprivation. It is the fullness of awareness before any object has curdled in it — which is why the last void is called the Heart and not the abyss.
शिखिपक्षैश्चित्ररूपैर्मण्डलैः शून्यपञ्चकम् । ध्यायतोऽनुत्तरे शून्ये प्रवेशो हृदये भवेत् ॥ ३२ ॥
For one who meditates upon the five voids by means of the variegated circles, like the eyes of a peacock's tail, there occurs an entry into the supreme void, the Heart.
मोर के पंख की रंग-बिरंगी आँखों (मण्डलों) के समान पाँच शून्यों का ध्यान करने वाले का अनुत्तर शून्य रूप हृदय में प्रवेश हो जाता है।